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The Beauty of Breaking Bad

Gunjit Verma - February 22, 2023 0

The Fall of Constantinople: A new era of Italy Renaissance

Hiba Shaikh Ansari - February 6, 2023 0

What is even the point of UGC?

Gunjit Verma - February 3, 2023 0

Taking the Hijab Off – Misrepresentation Through Compelling Visuals

Mukaram Shakeel - January 29, 2023 0

Sons and Lovers: Industrial Revolution through the lens of Literature

Ashna Arif - January 22, 2023 0

Hockey 2023: Revival of the Indian Sporting Legacy

Sania Parween - January 21, 2023 0

Akbar and The Forbidden Experiment

Ashna Arif - January 17, 2023 0

The Shocking Reality of The Pink Tax: Why Does it Cost...

Hiba Shaikh Ansari - January 13, 2023 0

Suits: The Egoistical cum Entertaining Law Drama

Zaina Shahid Khan - January 11, 2023 0

Highway: The Journey Away from the Dictatorial Milieu

Zaina Shahid Khan - January 11, 2023 0

The Right Wing Cancel Culture

Gunjit Verma - January 10, 2023 0

Authoritarianism at its Finest

Gunjit Verma - January 5, 2023 0

Adulting: The Inevitable, Universal Profession

Sarthak Parashar - January 4, 2023 1

180DC JMI Wins Prestigious Awards at The Global 180Degrees Awards 2022

The Jamia Review - December 25, 2022 0

Is Gen-Z the New Silent Generation?

Ambrisha Zubeen - December 13, 2022 1

Creating a New Film Canon: Sight & Sound’s Greatest Films of...

Sumaiya Shakil - December 9, 2022 0

Social Media and Lack of Consent

Ashna Arif - December 6, 2022 0

Department of Urdu, JMI, completes 50 years

The Jamia Review - November 26, 2022 0

Self-harm driven by External Validation

Bushra Faridi - November 12, 2022 0

Agra and its role in The Revolt of 1857

Syed Ilham Jafri - November 10, 2022 0

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The Golden Age of Islam: A Catalyst for Advancements in Astronomy, Mathematics, and Medicine

In Joyland, Gender is the Universal Dreambreaker

‘In saffron hued CinemaScope’

PRIDE: WHERE SIGHS BECOME BREATHS

Women’s Writing Throughout the Feminist Waves of History