Entertainment Review

TRANSFORMING A TABOO INTO A CAUSE

Khushi Raizada - September 23, 2020 0

WHERE’S INDIA’S RENDEZVOUS WITH ENGLISH LEADING US?

Samra Ejaz - September 18, 2020 0

COMMUNICATION: TO SURVIVE LOCKDOWN’S ISOLATION

Aashish Kochhar - September 11, 2020 0

THE WOMAN, THE WITCH

Nidhi - September 1, 2020 0

THE CATHARTIC HEARTBREAK PROTOCOL

Richa Singh - August 26, 2020 0

DHONI-RAINA RETIREMENT: SILENTLY ENDING AN ERA

Aashish Kochhar - August 21, 2020 0

Ismat Chugtai’s Lihaaf – Prejudices and The Other Side of Abuse

Rutba Iqbal - August 13, 2020 0

The Midnight Gospel – Trippy, Raw, Intimate & Existential

Yusuf Aziz - August 2, 2020 0

Revisiting Hazaaron Khwaishein Aisi

Varda Ahmad - July 27, 2020 0

BoJack Horseman’s Princess Carolyn: Our Favorite Fictional Character

Kriti Kundu - July 25, 2020 0

On Lessons to Live Life: Dil Bechara

Aashish Kochhar - July 25, 2020 0

Dark – ‘A Gritty Mind-Bending Sci-fi’

Hadiqua Jabeen - July 18, 2020 0

SHTISEL: An Alternative Perception of Orthodox Jewish Community

Kriti Kundu - July 17, 2020 0

Normal People: A lesson on Love, Life & Trauma

Maryam Ahmed - June 4, 2020 0

Shikara: Hope in the face of War & Conflict?

Khushi Raizada - April 19, 2020 2

YOU – A Romantic Love Story?

Rutba Iqbal - April 1, 2020 0

THE PLATFORM – A STUNNINGLY HORRIFIC SATIRE

Yusuf Aziz - March 20, 2020 0

The Irishman: An Adieu by Scorsese?

Yusuf Aziz - March 2, 2020 0

Bala – The Bald with Balls?

Rutba Iqbal - February 27, 2020 0

A Cinematic Offer One Cannot Refuse

Waqas Khalid - March 9, 2019 0

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In Joyland, Gender is the Universal Dreambreaker

The Beauty of Breaking Bad

Suits: The Egoistical cum Entertaining Law Drama

Highway: The Journey Away from the Dictatorial Milieu

Creating a New Film Canon: Sight & Sound’s Greatest Films of All Time