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‘In saffron hued CinemaScope’

Sumaiya Shakil - March 12, 2023 0

PRIDE: WHERE SIGHS BECOME BREATHS

Sarthak Parashar - March 11, 2023 1

Women’s Writing Throughout the Feminist Waves of History

Sania Parween - March 10, 2023 0

The Beauty of Breaking Bad

Gunjit Verma - February 22, 2023 0

The Fall of Constantinople: A new era of Italy Renaissance

Hiba Shaikh Ansari - February 6, 2023 0

What is even the point of UGC?

Gunjit Verma - February 3, 2023 0

Taking the Hijab Off – Misrepresentation Through Compelling Visuals

Mukaram Shakeel - January 29, 2023 0

Sons and Lovers: Industrial Revolution through the lens of Literature

Ashna Arif - January 22, 2023 0

Hockey 2023: Revival of the Indian Sporting Legacy

Sania Parween - January 21, 2023 0

Akbar and The Forbidden Experiment

Ashna Arif - January 17, 2023 0

The Shocking Reality of The Pink Tax: Why Does it Cost...

Hiba Shaikh Ansari - January 13, 2023 0

Suits: The Egoistical cum Entertaining Law Drama

Zaina Shahid Khan - January 11, 2023 0

Highway: The Journey Away from the Dictatorial Milieu

Zaina Shahid Khan - January 11, 2023 0

The Right Wing Cancel Culture

Gunjit Verma - January 10, 2023 0

Authoritarianism at its Finest

Gunjit Verma - January 5, 2023 0

Adulting: The Inevitable, Universal Profession

Sarthak Parashar - January 4, 2023 1

180DC JMI Wins Prestigious Awards at The Global 180Degrees Awards 2022

The Jamia Review - December 25, 2022 0

Is Gen-Z the New Silent Generation?

Ambrisha Zubeen - December 13, 2022 1

Creating a New Film Canon: Sight & Sound’s Greatest Films of...

Sumaiya Shakil - December 9, 2022 0

Social Media and Lack of Consent

Ashna Arif - December 6, 2022 0

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